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This fine art print is produced on Forest Stewardship Council certified paper, using post-consumer and sustainably sourced paper, and soy-based inks. The detailed proofing process and standarized printing plates of offset lithography ensure this print reproduction maintains vivid colors and faithfulness to the original work of art.
This fine art print is produced on Forest Stewardship Council certified paper, using post-consumer and sustainably sourced paper, and soy-based inks. The detailed proofing process and standarized printing plates of offset lithography ensure this print reproduction maintains vivid colors and faithfulness to the original work of art.
As the fog rolls in diffusing the light with enchanting allure, photographer William Guion sensitively captures the beauty and grace of mystical, majestic oaks, enhanced by the landscape’s quietude. Guion, a Louisiana native retains his childhood fascination with these elder trees of the American landscape that he shoots throughout the South and the West. A landscape photographer for 20 years, Guion is greatly influenced by the West Coast’s large format black and white of the late 80’s. A sampling of his work has been published in his first book, Heartwood, Meditations on Southern Oaks.
Read MoreThis fine art print is produced on Forest Stewardship Council certified paper, using post-consumer and sustainably sourced paper, and soy-based inks. The detailed proofing process and standarized printing plates of offset lithography ensure this print reproduction maintains vivid colors and faithfulness to the original work of art.
As the fog rolls in diffusing the light with enchanting allure, photographer William Guion sensitively captures the beauty and grace of mystical, majestic oaks, enhanced by the landscape’s quietude. Guion, a Louisiana native retains his childhood fascination with these elder trees of the American landscape that he shoots throughout the South and the West. A landscape photographer for 20 years, Guion is greatly influenced by the West Coast’s large format black and white of the late 80’s. A sampling of his work has been published in his first book, Heartwood, Meditations on Southern Oaks.
Read More